Brown, Christie (2001) Family portraits. [Show/Exhibition]Full text not available from this repository.
In this specially commissioned artwork for Ikons of Identity, a group exhibition around the significance of the mask in our culture, Brown examined the theme by creating a ceramic installation comprising a conventional family group. The project explored psychoanalytic theory about the persona as a means of protection by examining the nature of relationships, communication and loss. Each family member wore a mask, their outward persona, while negative plaster casts of their real faces were hung on the wall nearby like family photographs. The use of the casting as the central making process reflected an ongoing interest in the mould as a metaphor for the human condition. The presentation reflected Brown’s understanding of the concept of the persona. The life size moulds for these brick and stoneware clay figures were developed from drawings from life and their plaster portraits were derived from casts of the original heads. The presentation of the group of artefacts and its relationship to the space it occupied broke away from the ceramic convention of a single plinth based object, exploring the use of installation and making reference to the relationship of ceramics to other materials. Craftspace Touring, an organisation committed to the broad dissemination of its exhibitions, invited 18 artists (including Caroline Broadhead, Paul Derrez and Freddie Robbins) from a variety of disciplines to make work for this exhibition. It toured the UK for several months (venues included York City Art Gallery, Worcester City Art Gallery and Leicester City Art Gallery) and was backed up with an illustrated catalogue. Brown was invited to explore these ideas further in a group exhibition About Face: Get Your Head Around Sculpture in Croydon Clocktower Museum, showing a group of ceramic heads and plaster portraits. This show included international artists from a range of contexts including Tracey Emin, Henry Moore and Antony Gormley and gave Brown a further opportunity to demonstrate the power of ceramics to convey serious meaning.
|Additional Information:||The show, Ikons of Identity, subsequently traveled to six other UK venues.|
|Subjects:||University of Westminster > Media, Arts and Design|
|Depositing User:||Miss Nina Watts|
|Date Deposited:||06 May 2008 13:57|
|Last Modified:||08 Jun 2010 10:06|
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