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Assassin

Maziere, Michael (2007) Assassin. In: Final Cut: Media Art and Cinema, 25 Apr - 20 May 2007, Kunsthalle Dominikanerkirche, Osnabruck, Germany.

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Official URL: http://www.emaf.de/_emaf/index.php?id=250&L=0

Abstract

A video project which explores the seductive spectacle of crime in cinema through the depiction of the archetypal character of the assassin. Assassin creates a new text in which the binding effects of narrative have been dissolved by using a mosaic of film fragments (clips, music, subtitles, dialogue) from French crime thrillers from the 1950s and 60s. It is grounded in research into cinematic grammatology which aims to give rise to a rigorous rethinking of the possibilities of cinema and its role in memory and identity. Maziere forms part of the tradition of artists and filmmakers who work with archive materials, dislocating them from their original purpose and intention, revealing new readings, meanings and questions. Assassin creates a multilayered, intertextual fusion of the cultural and the personal, shifting the emphasis back to the power of individual vision. To the anthropological and social dimension of reworking archive film, Mazière has added the psychological role of the self. The idea for the work was developed from Maziere’s essay The Big Search on the use of found footage in the journal Art In-Sight (Issue 28, summer 2005, ISSN 1460-4051). Assassin was in the exhibition Final Cut, Medienkunst Und Kino – an international survey of the contemporary use of archival footage by visual artists, curated by Hermann Noring and including works by Candice Breitz, Klaus Vom Bruch, Pierre Huyghe, Mark Lewis, Paul McCarthy and Matthias Muller. Exhibited at a dozen key international venues including Images (Toronto), Scanners (New York) as well as venues in France, Germany, Portugal and Serbia. Formed a central part of Maziere’s retrospective screening funded by Film London at the Picture House Cinema in London in May 2007. Citations include Catherine Elwes (2005); David Curtis (2007). Assassin exists in two versions: a 3 channel video projection for gallery installation and a single channel version for screenings.

Item Type:Show/Exhibition
Additional Information:3 x Video Projection (single and/or 3 channel). Also shown at Scanners; The 2007 New York Video Festival, New York, USA (27th - 29th July 2007); Images Festival, Toronto, Canada (5th - 14th April 2007). Museum of Voivodina, Videomedeja, Novi Sad, Serbia, (5th - 17th December 2006). Kölnische Kunstverein and the Kunstmuseum Bonn, KunstFilmBiennale, (18th -24th October 2007), Cologne and Bonn, Germany.
Research Community:University of Westminster > Media, Arts and Design, School of
ID Code:4765
Deposited On:06 May 2008 18:50
Last Modified:30 Jul 2012 16:54

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