Tabrizian, Mitra and Golding, Andy (2004) The perfect crime. In: El Aula de Cultura Bilbao Bizkaia Kutxa, 19 May - 22 Jun 2004, Elcano, Bilbao, Spain .
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Photographic series exploring the normalization of violence in contemporary society. Comprises nine large photographs (4 ft x 6ft), two of which were composites combining two or three other images. This project includes a body of six works: five images from Beyond The Limits (most combining 2-4 photos) and one large composite image, Silent Majority (combining seven photos). These were first shown as a completed series at Museum of Folkwang, Essen, (December 2003), accompanied by Tabrizian’s photographic book featuring essays by Stuart Hall, Homi Bhabha (Steidl, 2004). Inspired by Baudrillard and focusing on corporate culture, the project explores the crisis of contemporary culture through reframing the genre of street photography within a critical perspective. It depicts Baudrillard’s world of simulation and fractal culture, with people compelled into extremes of indifference and conformity. Set in a dystopic future, ‘Beyond the Limits’ constructs fragments of everyday lives in which something has gone ‘wrong’, referencing Baudrillard’s notion of implosion, the point where things turn in upon themselves to produce their opposite effect. ‘Silent Majority’ portrays today’s Canary Wharf, the corporate utopia where nobody can slow down or question where they’re heading. Work on the ‘Beyond the Limits’ photographic project began in 2000: three images were finished and exhibited in the public domain before 01.01.01 (see portfolio for the three images in Futures Vol 32, No 5, 2000). These images are excluded from this submission. Selected images were published in numerous photography journals, including Next Level, no 5 (2004:108-112); Tank (November 2001); also cited in books including ‘Different’ eds. Stuart Hall and Mark Sealy (Phaidon, 2001). Extensive reviews include German and Spanish journals, newspapers, radio. The Essen show led to Tabrizian’s later invitation as keynote speaker at ‘Digital Image Processing’ conference, Museum of Folkwang, (12.11.04). Two pieces were purchased by Museum of Folkwang; another by Sparkasse collection, (Germany). Partially sponsored by Metro Imaging (c£12,000 post production). Tabrizian collaborated with Andy Golding, who supervised lighting.
|Research Community:||University of Westminster > Media, Arts and Design, School of|
|Deposited On:||07 May 2008 13:33|
|Last Modified:||19 May 2011 15:53|
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