Bray, Maryse J. and Gill, Helene (2008) Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone? Nouvelles Etudes Francophones, 23 (2). pp. 178-184. ISSN 1552-3152
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While drawing on extensive references taken from European and American cinema, Haroun creates a work of art firmly rooted in his native Tchad and yet open onto the world at large. In doing so, it is the view of the authors that Haroun's films can be heralded as inaugurating a new wave in African cinema.
|Uncontrolled Keywords:||Francophone cinema, Mahamat-Saleh Haroun, Identity, cinema, post colonial studies, Africa|
|Research Community:||University of Westminster > Social Sciences, Humanities and Languages, School of|
|Deposited On:||27 May 2008 12:09|
|Last Modified:||26 Mar 2014 11:15|
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