Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone?

Bray, Maryse J. and Gill, Helene (2008) Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone? Nouvelles Etudes Francophones, 23 (2). pp. 178-184. ISSN 1552-3152

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Abstract

While drawing on extensive references taken from European and American cinema, Haroun creates a work of art firmly rooted in his native Tchad and yet open onto the world at large. In doing so, it is the view of the authors that Haroun's films can be heralded as inaugurating a new wave in African cinema.

Item Type: Article
Uncontrolled Keywords: Francophone cinema, Mahamat-Saleh Haroun, Identity, cinema, post colonial studies, Africa
Subjects: University of Westminster > Social Sciences and Humanities
Depositing User: Miss Nina Watts
Date Deposited: 27 May 2008 11:09
Last Modified: 26 Mar 2014 11:15
URI: http://westminsterresearch.wmin.ac.uk/id/eprint/4934

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