Bray, Maryse J. and Gill, Helene (2008) Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone? Nouvelles Etudes Francophones, 23 (2). pp. 178-184. ISSN 1552-3152Full text not available from this repository.
While drawing on extensive references taken from European and American cinema, Haroun creates a work of art firmly rooted in his native Tchad and yet open onto the world at large. In doing so, it is the view of the authors that Haroun's films can be heralded as inaugurating a new wave in African cinema.
|Uncontrolled Keywords:||Francophone cinema, Mahamat-Saleh Haroun, Identity, cinema, post colonial studies, Africa|
|Subjects:||University of Westminster > Social Sciences and Humanities|
|Depositing User:||Miss Nina Watts|
|Date Deposited:||27 May 2008 11:09|
|Last Modified:||26 Mar 2014 11:15|
Actions (login required)
|Edit Item (Repository staff only)|