Screen play: theatre plays on British television

Pauline Boty: Artist - Model - Actor - Blonde
Wyver, J. 2023. Pauline Boty: Artist - Model - Actor - Blonde. London

Blonde Noir
Wyver, J. 2023. Blonde Noir. London

All's Well That Ends Well
Wyver, J. 2023. All's Well That Ends Well. United Kingdom

RSC Live from Stratford-upon-Avon: Ten Things I Think I Know, or, Of Course We’re Making a Movie
Wyver, J. 2023. RSC Live from Stratford-upon-Avon: Ten Things I Think I Know, or, Of Course We’re Making a Movie. in: Smith. E. (ed.) Shakespeare Survey 76: Digital and Virtual Shakespeare Cambridge Cambridge University Press. pp. 9-16

The screen language of lockdown: connection and choice in split-screen performance
Wyver, J. 2022. The screen language of lockdown: connection and choice in split-screen performance. in: Allred, G.K., Broadribb, B. and Sullivan, E. (ed.) Lockdown Shakespeare: New Evolutions in Performance and Adaptation London Bloomsbury Academic.

Coventry Cathedral: Building for a New Britain
Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London

‘Filming the invisible’: Barrie Gavin in conversation with John Wyver
Wyver, J. 2021. ‘Filming the invisible’: Barrie Gavin in conversation with John Wyver. Journal of Popular Television. 9 (1), pp. 15-28. https://doi.org/10.1386/jptv_00039_7

Visions of electric media: television in the Victorian and machine ages
Wyver, J. 2021. Visions of electric media: television in the Victorian and machine ages. Early Popular Visual Culture. 19 (1), pp. 91-92. https://doi.org/10.1080/17460654.2020.1863272

Drama Out of a Crisis: A Celebration of Play for Today
Wyver, John 2021. Drama Out of a Crisis: A Celebration of Play for Today. Critical Studies in Television: The International Journal of Television Studies. 16 (1), pp. 62-68. https://doi.org/10.1177/1749602020982748

Drama Out of a Crisis: A Celebration of Play for Today
Wyver, J. 2020. Drama Out of a Crisis: A Celebration of Play for Today. London

Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939
Wyver, J. 2020. Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939. Critical Studies in Television: The International Journal of Television Studies. 15 (4), pp. 426-428. https://doi.org/10.1177/1749602020951653a

Bert Hardy: Exercises with Photography and Film
Nead, L. and Wyver, J. 2020. Bert Hardy: Exercises with Photography and Film. British Art Studies. 15. https://doi.org/10.17658/issn.2058-5462/issue-15/nead-wyver

RSC Live from Stratford-upon-Avon
Wyver, J. Forthcoming. RSC Live from Stratford-upon-Avon. Stratford-upon-Avon

Screening the Royal Shakespeare Company: a Critical History
Wyver, J. 2019. Screening the Royal Shakespeare Company: a Critical History. London Bloomsbury.

Hamlet
Wyver, J., others 2018. Hamlet. London

Introduction: Radio Modernisms: Features, Cultures and the BBC
Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165. https://doi.org/10.1080/13688804.2018.1473134

The road to Civilisation: early television journeys to Greece
Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.

Exploring the lost television and technique of Fred O'Donovan
Wyver, J. 2017. Exploring the lost television and technique of Fred O'Donovan. Historical Journal of Film, Radio and Television. 37 (1), pp. 5-23. https://doi.org/10.1080/01439685.2016.1272807

Donmar Shakespeare Trilogy
Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Scenes from Cymbeline and the language of the early television studio
Wyver, J. 2017. Scenes from Cymbeline and the language of the early television studio. in: Hatchuel, D. and Vienne-Guerrin, N. (ed.) Shakespeare on Screen: The Tempest and Late Romances Cambridge Cambridge University Press. pp. 56-70

An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39
Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65
Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288

Television history: archives, excavation and the future. A discussion
Smart, B. and Wrigley, A. 2016. Television history: archives, excavation and the future. A discussion. Critical Studies in Television. 11 (1), pp. 96-109. https://doi.org/10.1177/1749602015618634

Myriad mediations: Henry Moore and his works on screen, 1937-1983
Wyver, J. 2015. Myriad mediations: Henry Moore and his works on screen, 1937-1983. Tate Publishing.

The filmic fugue of Ken Russell’s Pop Goes the Easel
Wyver, J. 2015. The filmic fugue of Ken Russell’s Pop Goes the Easel. Journal of British Cinema and Television. 12 (4), pp. 438-451. https://doi.org/10.3366/jbctv.2015.0279

The Spaces of Medieval Mystery Plays on British Television
Wrigley, A. 2015. The Spaces of Medieval Mystery Plays on British Television. Shakespeare Bulletin. 33 (4), pp. 569-593. https://doi.org/10.1353/shb.2015.0058

Television and the Anti-Realist Theatricality of "not Shakespeare"
Wyver, J. 2015. Television and the Anti-Realist Theatricality of "not Shakespeare". Shakespeare Bulletin. 33 (4), pp. 543-568. https://doi.org/10.1353/shb.2015.0055

Screening the RSC stage: the 2014 Live from Stratford-upon-Avon cinema broadcasts
Wyver, J. 2015. Screening the RSC stage: the 2014 Live from Stratford-upon-Avon cinema broadcasts. Shakespeare. 11 (3), pp. 286-302. https://doi.org/10.1080/17450918.2015.1048280

Greece on Air: Engagements With Ancient Greece on BBC Radio, 1920s-1960s
Wrigley, A. 2015. Greece on Air: Engagements With Ancient Greece on BBC Radio, 1920s-1960s. Oxford Oxford University Press.

Serjeant Musgrave's Dance and the politics of possibility in two television adaptations
Wyver, J. 2014. Serjeant Musgrave's Dance and the politics of possibility in two television adaptations. Critical Studies in Television. 9 (3), pp. 89-99. https://doi.org/10.7227/CST.9.3.9

Television
Wyver, J. 2014. Television. in: Stephens, C. and Stonard, J.-P. (ed.) Kenneth Clark: Looking for Civilisation London Tate Publishing. pp. 123-32

Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television
Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings
Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Practising classical reception studies “in the round”: mass media engagements with antiquity and the “democratic turn” towards the audience
Wrigley, A. 2013. Practising classical reception studies “in the round”: mass media engagements with antiquity and the “democratic turn” towards the audience. in: Hardwick, L. and Harrison, S.J. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Practising classical reception studies 'in the round': mass media engagements with antiquity and the 'democratic turn' towards the audience
Wrigley, A. 2013. Practising classical reception studies 'in the round': mass media engagements with antiquity and the 'democratic turn' towards the audience. in: Hardwick, L. and Harrison, S. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Introduction. Louis MacNeice, classical antiquity and BBC radio: from wartime propaganda to radio plays
Wrigley, A. 2013. Introduction. Louis MacNeice, classical antiquity and BBC radio: from wartime propaganda to radio plays. in: Wrigley, A. and Harrison, S.J. (ed.) Louis MacNeice: the classical radio plays Oxford Oxford University Press. pp. 1-30

Aristophanes at the BBC, 1940s-1960s
Wrigley, A. 2013. Aristophanes at the BBC, 1940s-1960s. in: Douglas Olson, S. (ed.) Ancient comedy and reception: essays in honor of Jeffrey Henderson De Gruyter.

Julius Caesar
Wyver, J. 2012. Julius Caesar.

Dallas Bower: a producer for television's early years, 1936-39
Wyver, J. 2012. Dallas Bower: a producer for television's early years, 1936-39. Journal of British Cinema and Television. 9 (1), pp. 26-39. https://doi.org/10.3366/jbctv.2012.0058

Classics on TV: Greek tragedy on the small screen
Wrigley, A. 2012. Classics on TV: Greek tragedy on the small screen. Journal of Classics Teaching. 26.

Greek immigrants playing ancient Greeks at Chicago’s Hull-House: whose antiquity?
Wrigley, A. and Davis, R. 2011. Greek immigrants playing ancient Greeks at Chicago’s Hull-House: whose antiquity? The Journal of American drama and theatre. 23 (2), pp. 7-29.

Performing Greek drama in Oxford and on tour with the Balliol Players
Wrigley, A. 2011. Performing Greek drama in Oxford and on tour with the Balliol Players. University of Exeter Press.

A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943)
Wrigley, A. 2011. A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943). The Radio Journal: International Studies in Broadcast & Audio Media. 8 (2), pp. 81-103. https://doi.org/10.1386/rjao.8.2.81_1

Robert Bridges' Masque Demeter and Oxford's Persephones
Wrigley, A. 2010. Robert Bridges' Masque Demeter and Oxford's Persephones. New Voices In Classical Reception Studies. 5.

Art of faith
Wyver, J. and McCarthy, J. 2010. Art of faith.

Macbeth
Wyver, J. and Grant, S. 2010. Macbeth.

Greek drama in the first six decades of the twentieth century: tradition, identity, migration
Wrigley, A. 2010. Greek drama in the first six decades of the twentieth century: tradition, identity, migration. Comparative drama. 44 (4), pp. 371-384.

From Ancient Rome to Chicago: Mussolini’s gift of the Balbo column
Wrigley, A. 2010. From Ancient Rome to Chicago: Mussolini’s gift of the Balbo column. Classicizing Chicago.

Interactive documentaries: a golden age
Ursu, M.F., Zsombori, V., Wyver, J., Conrad, L., Kegel, I. and Williams, D. 2009. Interactive documentaries: a golden age. Computers in Entertainment. 7 (3). https://doi.org/10.1145/1594943.1594953

TV against TV: video art on television
Wyver, J. Forthcoming. TV against TV: video art on television. in: Comer, S. (ed.) Film and Video Art London Tate Publishing.

Hamlet
Wyver, J. and Grant, S. 2009. Hamlet.

Tv against TV: video art on television
Wyver, J. 2009. Tv against TV: video art on television. in: Comer, S. (ed.) Film and video art London Tate Publishing.

Louis MacNeice’s radio classics: “all so unimaginably different”?
Wrigley, A. 2009. Louis MacNeice’s radio classics: “all so unimaginably different”? in: Lowe, D. and Shahabudin, K. (ed.) Classics for all: reworking antiquity in mass culture Cambridge Scholars Publishing. pp. 39-61

Antigone and the “Theban Maidens” in Aberdeen, 1919
Wrigley, A. 2009. Antigone and the “Theban Maidens” in Aberdeen, 1919. Aberdeen University Review. 62 (2), pp. 118-121.

ShapeShifting TV: interactive screen media narratives
Ursu, M.F., Kegel, I., Williams, D., Thomas, M., Mayer, H., Zsombori, V., Tuomola, M.L., Larsson, H. and Wyver, J. 2008. ShapeShifting TV: interactive screen media narratives. Multimedia Systems. 4 (2), pp. 115-132. https://doi.org/10.1007/s00530-008-0119-z

ShapeShifting TV: interactive screen media narratives
Ursu, M.F., Kegel, I.C., Williams, D., Thomas, M., Mayer, H., Zsombori, V., Tuomola, M.L., Larsson, H. and Wyver, J. 2008. ShapeShifting TV: interactive screen media narratives. Multimedia Systems. 4 (2), pp. 115-132. https://doi.org/10.1007/s00530-008

The eternity man
Wyver, J., Blight, R. and Fleetwood, A. 2008. The eternity man.

Spider in the city: la machine in Liverpool
Wyver, J. 2008. Spider in the city: la machine in Liverpool.

Art of faith
Wyver, J. 2008. Art of faith.

Vision on: film, television and the arts in Britain
Wyver, J. ten Brink, J. (ed.) 2007. Vision on: film, television and the arts in Britain. London, UK Wallflower Press.

Stages of imagination: Greek plays on BBC radio
Wrigley, A. 2007. Stages of imagination: Greek plays on BBC radio. in: Stray, C. (ed.) Remaking the classics: literature, genre and media in Britain 1800-2000 London Duckworth. pp. 57-73

The Balliol Players at Holywell Manor
Wrigley, A. 2007. The Balliol Players at Holywell Manor. in: Murray, O. (ed.) Holywell Manor: an anecdotal history Oxford Balliol College. pp. 172-183

Aristophanes revitalized! Music and spectacle on the academic stage
Wrigley, A. 2007. Aristophanes revitalized! Music and spectacle on the academic stage. in: Hall, E. and Wrigley, A. (ed.) Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs Oxford Legenda. pp. 136-154

Conceiving ShapeShifting TV: a computational language for truly-interactive TV
Ursu, M.F., Cook, J.J., Zsombori, V., Zimmer, R., Kegel, I., Williams, D., Thomas, M., Wyver, J. and Mayer, H. 2007. Conceiving ShapeShifting TV: a computational language for truly-interactive TV. in: Cesar, P., Chorianopoulos, K. and Jensen, J.F. (ed.) Interactive TV: a shared experience Berlin Springer.

The art of Henry Moore
Wyver, J. 2005. The art of Henry Moore.

Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions)
Wrigley, A. 2005. Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions). in: Macintosh, F., Michelakis, P., Hall, E. and Taplin, O. (ed.) Agamemnon in performance: 458 BC to AD 2004 Oxford University Press. pp. 359-435

Aeschylus' Agamemnon on BBC radio, 1946–1976
Wrigley, A. 2005. Aeschylus' Agamemnon on BBC radio, 1946–1976. International Journal of the Classical Tradition. 12 (2), pp. 216-244. https://doi.org/10.1007/BF02968958

Details of productions discussed
Wrigley, A. 2004. Details of productions discussed. in: Hall, E., Macintosh, F. and Wrigley, A. (ed.) Dionysus since 69: Greek tragedy at the dawn of the third millennium Oxford Oxford University Press. pp. 369-418

theEYE
Wyver, J. 2002. theEYE.

Macbeth
Wyver, J. and Grant, S. 2001. Macbeth.